by Petra Söör
It is a morning in October 2016 and I’m in Corby working with Charlotte Spencer and a great team of people on the project Is this a Waste Land? For two weeks we have been working on a site of some demolished buildings, flattened many years ago to what is now a bare piece of land with debris and green growth coexisting and creating new forms of ecosystems. This morning as many before we start the day, I’m sitting on the ground between young birch saplings looking at different materials sticking up through the surface layers of moss and grass; metal, concrete rubble, bits of what might have been old plastic flooring and carpeting. These days we’ve spoken of wilderness as a process inherent everywhere and anywhere, and here it is.
In this piece of plastic, with its atoms bound in a form slowly eroding and transforming, biochemical processes slow yet fast, I feel inherent wilderness exposed and alive. Yet the bound is actually not really bound. It’s full of space and hovering.
The I, me that is holding and perceiving it, also eroding, transforming and becoming, suddenly experience a strange and warm feeling of curiosity and love like sense of infinity with this unknown material of a different nature. I’m becoming aware of my own previous judgement about what is or isn’t ‘natural’.
Natures and Natures (on falling in love with a piece of plastic) is a work reflecting on poetics of time and materiality, wilderness and love – dedicated to a site in Corby, UK. It is currently evolving both independently of and also within the context of Is this a Waste Land?
eroding transforming bodies
of matter differently bound in time
I salute you
for teaching me about love
and natures and natures